Laura calabash
The French philosopher Denis Guénoun, hosted last year at the CRT, we are often interested in the theater as a meeting place protopolitico, meaning that the only genuine source of power coincides with the social body, and that every public meeting of human beings by other human beings , contains a strong potential for self-determination.
This assumption leads to at least two consequences: first, the unproductive time dedicated to the aggregation of human dignity are fundamental. Secondly, the opportunity to answer the common fate depends on the quality of the match. Apart from this factor of historical circumstances, which would require an analysis of its own, this quality of the meeting does not fail to be seriously considered by Guénoun which, for example in Exhibition des mots assesses the impact that architecture, location planning and other "details" - affecting the way of being together in one place.
We have therefore established that the exchange goes through several layers of matter: body, body to body, and the structure that houses. At this point we imagine to remove the physical characterization of environments and social actors. We are in a potentially unlimited space, a universe through which to project the real world together with our fantasies. We threw away our bulky encyclopedias because with one click all the knowledge produced by humanity is available on the web, we can also do shopping, meet our friends, we can fall in love, participate in forums on almost any topic. Last but not least we can give credit to real political action on this point we return to confront the delicate question of protopolitica Guénoun.
What is political is placed on a level of intellectualization back than the simple aggregation, so its launch in a space of binary codes and electrical impulses, similar to those of the brain is accomplished successfully, it is difficult to think running out of "raw material" of politics, art, and all that rests the fabric of a civilization-as part of a exclusively neurological structure.
entering a space without place, it is possible to deposit a coat themselves in an imaginary closet, where you can wear with ease (the only option that guarantees a perfect solitude) as shameful or functional forms to achieve certain objectives. Take, for example, the infiltrators, who attend one or more chat room with a view to achieving the goal obscure other members, such as acquiring information. On the one hand we see those who take advantage of anonymity to let go, perhaps bringing out unsuspected sides of your being in the world, on the other who plays the spy craft, is infinitely relaxed and safe from her body: we know how to lie and what is trivial, however, is complex to be credible. The body is here, the same expression we took her to school and the supermarket, everywhere the same face. The body sweats, shivers, a smile that does not contain and the game is broken. The body guarantees the sincerity of the individual performance of themselves.
The non-architecture allows the underground city that obstructs the truth, no one is meeting this allows us to study the color of the negative, to paint a picture, deeply expressive of who we are and we are not. The reality crosses the imagination, creativity Social expands its capabilities beyond the limits imposed by the material of the body and the cement and plunges into the great collective dream. We can save you the trouble of the gods incarnate in an assembly gathered, it is easier to give way to the scene of a large representation of spontaneous, without exposing themselves to which everyone participates. It remains to ask whether we are speaking now of Eden or toyland ...
The French philosopher Denis Guénoun, hosted last year at the CRT, we are often interested in the theater as a meeting place protopolitico, meaning that the only genuine source of power coincides with the social body, and that every public meeting of human beings by other human beings , contains a strong potential for self-determination.
This assumption leads to at least two consequences: first, the unproductive time dedicated to the aggregation of human dignity are fundamental. Secondly, the opportunity to answer the common fate depends on the quality of the match. Apart from this factor of historical circumstances, which would require an analysis of its own, this quality of the meeting does not fail to be seriously considered by Guénoun which, for example in Exhibition des mots assesses the impact that architecture, location planning and other "details" - affecting the way of being together in one place.
We have therefore established that the exchange goes through several layers of matter: body, body to body, and the structure that houses. At this point we imagine to remove the physical characterization of environments and social actors. We are in a potentially unlimited space, a universe through which to project the real world together with our fantasies. We threw away our bulky encyclopedias because with one click all the knowledge produced by humanity is available on the web, we can also do shopping, meet our friends, we can fall in love, participate in forums on almost any topic. Last but not least we can give credit to real political action on this point we return to confront the delicate question of protopolitica Guénoun.
What is political is placed on a level of intellectualization back than the simple aggregation, so its launch in a space of binary codes and electrical impulses, similar to those of the brain is accomplished successfully, it is difficult to think running out of "raw material" of politics, art, and all that rests the fabric of a civilization-as part of a exclusively neurological structure.
entering a space without place, it is possible to deposit a coat themselves in an imaginary closet, where you can wear with ease (the only option that guarantees a perfect solitude) as shameful or functional forms to achieve certain objectives. Take, for example, the infiltrators, who attend one or more chat room with a view to achieving the goal obscure other members, such as acquiring information. On the one hand we see those who take advantage of anonymity to let go, perhaps bringing out unsuspected sides of your being in the world, on the other who plays the spy craft, is infinitely relaxed and safe from her body: we know how to lie and what is trivial, however, is complex to be credible. The body is here, the same expression we took her to school and the supermarket, everywhere the same face. The body sweats, shivers, a smile that does not contain and the game is broken. The body guarantees the sincerity of the individual performance of themselves.
The non-architecture allows the underground city that obstructs the truth, no one is meeting this allows us to study the color of the negative, to paint a picture, deeply expressive of who we are and we are not. The reality crosses the imagination, creativity Social expands its capabilities beyond the limits imposed by the material of the body and the cement and plunges into the great collective dream. We can save you the trouble of the gods incarnate in an assembly gathered, it is easier to give way to the scene of a large representation of spontaneous, without exposing themselves to which everyone participates. It remains to ask whether we are speaking now of Eden or toyland ...
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