Flavia Cardone
"The theater is obscene," ruled in the past a Carmelo Bene. That's all that is happening on the stage outside the stage, away from the common sense of decency stage; here, often as the fourth side wall, a body that explodes and implodes, manufactures and holds, carnalissima indecency that you can not hide. Meanwhile, a soul is to be disposed of flatulence and the rest is just meat goes bad. All this has something to do with the scene of Emma Dante, was just loving the idea of \u200b\u200bArtaudian memory demanding that the viewer wants to be killed, and be killed. Cream, gravy and piss showered bodies and scenes of Good, while the public launch of the Tombo Dante nude peanuts and his dog dined bank elegance without bread spitting everywhere. But the fourth wall is always wonderfully open, even shattered, with the fetid smell of dirty clothes that you should wash your family to spread everywhere.
The words "stink" and "filth" occur frequently in stories that Emma is about his theater, made up of stories that do not have any provocative intent, if anything liberating, giving birth to daughters with extreme urgency, wounds to be delivered to the world so do a little 'thank goodness. Seem to care to respect its ability to be violent, perhaps simply because it is life and theater, he liked to believe this to Artaud, like dreams, is bloodthirsty and inhumane.
Blood, semen, vomit, sweat of Dante, the theater is theater of the things that the body generates - not surprisingly, even the word is never spoken but always generated - theater sexual and sensual, obscene visual primordial needs and respond to heart-rending. All that exceeds and breaks down the barriers of the body seems to be of interest to the Dante and his scenes of lyrical immorality, Dionysian scandalous, tell it.
through the rooms of the building that his grieving families embody, are seen in the ranks of a procession, a clumsy man who vomits cakes, a bride already pregnant, a child who masturbates his father, a monkey eating communion wafers and says Mass A man dressed in women, a tragedy where the chorus of women is made up of men, a dozen mobsters who masturbate joyful. Almost a scene of "slapping and sodomy," as stated by Sarah Kane. Where's obscene in all this? Certainly not in the genitals and even produced in the tale of a sex uncertain, but in some ways awkward, vulgar, Dante charm with which defies the laws of nature and the shame and tries to annoy his audience. But there is never an element in an obscenity that does not appear to be functional and dramatic scenically.
It all seems very very noble, but it is. And it is so difficult for themselves, that all this unhealthy can not blow out. In Carnezzeria incestuous sperm impregnates Nina while Toruccio seems to play the horse but in reality the scene, and all that ride in the legs and sweat dripping, tell of a father who is masturbating: obscene is unhealthy that is within the "sacred" family, festive lights are obscene that illuminate this hell. A naked man runs then, a monkey on stage and upsets the idea of \u200b\u200bmass, leaving others to discuss whether this is sacrilege or pure animal instinct, but the scandal de The monkey spinsters who are brutalized swallow rosaries as they do with words and suggested to put in automatic, you can draw upon the cross. Then there are the dogs sperm bank scattering excited by an Italy capsized, Sicily, above all, has earned, orgy of power where the seminal fluid disrupts the orderly grid of thoughts, geography, arranged in a row on the holy stage. Also cover their faces, snaps of their sex that goes up and down can not be do not listen, and madness of those who see in the Mafia and pretends not to see, certainly not in reconfiguring the Our Father including his mother, and female mafia bitch. That the theater belongs to Sacher Masoch, think Romeo Castellucci, and perhaps rightly so. Through all these, the food is always gobbled up with little grace-i pastries mPalermu leading to the miracle of water, bread Dogs bank, almost a victim for the ritual of the division of powers, the peanuts de The monkey according to a kind of obscenity law in the instinct that drives her daughter to see Dante. Floods and sex scenes, obscene as excess, obsession with the sign reversed. Reminded of the words of Baudrillard, "the feminine is always elsewhere, in the matriarchal stage of Emma. Powerful as always there where it is thought to be, violent push to weaken the sexual categories, uncertainty principle, by definition, the feminine is not a sex but as a soft form that passes through them all: If the male is only a residual , must defend itself, showing strength, then hiding weakness. This is why the three brothers Carnezzeria childhood photo in front of where one of them seems to be a child be violence, unspeakable efforts to escape the female chorus of Medea and the fact that men dressed as women. Above all, then Mishelle of Sant'Oliva . How else would like to Freud, because the anatomy should be the fate? Or maybe it is, and to chase a mother vanished in the past you have to go against, dressing, undressing, dressing up. The desire that exceeds the body and its contours as well.
All this just to say that there is nothing that can not be represented in the theater, where cross imaginary hell, with nothing ever matches, players and spectators. No pornography, no obscenity: you do not offend decency, the only challenge you with a sacred, profane violence.
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