From May 27 to the Art Theatre's award-winning show Borrelli and Cerciello
'Nzularchia is an expression that stands for jaundice, jaundice, yellow fever, but its significance is also due to afraid that when it is particularly violent, seems to cause these diseases.
In a stormy night, Spennacore - a racketeer for years forced to stay locked in four walls - is around restlessly in the room of his prison-house. His presence is felt only for the sound of footsteps and that makes the voice that sometimes sounds threatening, with the fury of rain and wind.
In another "place" of the house - right from the start that takes the form of disturbing memory space removed - are holed up Gary, a man of about thirty, and Piccerillo, son, brother, friend, or simply personification of memory, the brutalized childhood, and perhaps never lived.
And it is the continuing confrontation between Gary and Piccerillo to trigger a painful and overwhelming process of reconstruction of memory: a psychoanalytic journey in a surreal environment, able to conjure up ghosts of the past and put together the pieces of a ' torn from the nightmare of life indelible a tragedy that leaves no possibility of salvation.
Gaetano, in fact, feels he must avenge appalling abuse of power, of having to get rid of a father and jealous murderess, who has deprived of a mother and a brother never born, but above all, has to heal from the "fever" of fear, by the parent with frightening inoculatagli initiations, physical and psychological violence, which find in water - the sea like that of thundershowers raging outside - a recurring motif.
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